Really, I’m fine with you watering it down: Part I: 127 Hours and Conviction
If, according to screenwriter William Goldman (The Princess Bride, All the President’s Men), “In Hollywood, nobody knows anything,” then why is there always the need to taper off the intensity (read: effectiveness) of a movie in order to make it more palatable to a mainstream audience? Marketing is admittedly guesswork, and with the right evidence, … Continue reading Really, I’m fine with you watering it down: Part I: 127 Hours and Conviction
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